Based on this image in the Tacuinum Sanitatis:
The woman in the purple gown on the far left. What I see in this image is a round neckline, fitted bodice with the GFD sort of silhouette, full skirts, and sleeves with some looseness in the upper arm. Since this suits my preferred style quite well, I’m pretty happy with it.
I had a piece of linen/cotton blend in my stash for years now, in a purple-ish pink shade, 6 yards long. I don’t really remember buying it, and it’s not a color I normally favor, so it must have been on a good sale. There was plenty for this dress. The yellow linen blend I used for the lining was also from my stash, leftover from lining something else (yellow looks terrible on me, why did I buy this big piece of yellow linen? It’s good for linings though).
I don’t have anyone nearby that sews well enough to fit a GFD to me, and my experiences self-fitting have not turned out the way I wanted. They were okay, but they didn’t make me super happy. I decided to start from scratch, and had an idea for how I could get my armorer husband to help out. He’s used duct-tape armor forms before and has a pretty good understanding of three-dimensional shaping, so I thought he could make a duct-tape GFD form for me. It wouldn’t be a perfect replica of the draped and tailored fabric method à la Tasha Kelly, but I thought it might work. My husband is already used to the idea that his wife is crazy and asks him to help with weird things (we’ve been married 13 years, he’s not new here), so he got out a couple of rolls of duct tape and volunteered a t-shirt to use as a base and we got started.
Once the tape had lifted and held everything where I wanted it, depth to floor marked at hips and CF/CB, and my torso was good and sweaty inside a nice layer of duct tape, he cut down the center back (mostly in a straight line), and I cut the resulting t-shirt and duct tape shape into four quarters. I measured, flattened, and drew the shapes out onto a piece of heavy cardstock, and the resulting patterns looked like Tasha’s latest blog post shows hers looks, so I decided to go for it and cut out the fabric and lining without doing a muslin first (eek!).
I first stay-stitched the lining to the body pieces (the lining is hip-length) and then assembled the pieces (two front, two back, side gores, and front/back gores) and tried it on. With just pins holding the front together, I was cautiously optimistic about the fit. I went ahead and put lacing holes up the front (sewn by hand with cotton thread, because I couldn’t find silk to match this color, and cotton is cheaper) and tried it on. I swear, I actually bounced up and down with joy. It is the best fitted 14th century style dress I’ve ever made. And the hem was the closest to how I wanted it that I’ve ever done (for some reason, hems and I don’t get along: usually too long in some spots, too short in others, I wind up having to mess with it a lot before it’s finished).
After dancing around chortling with glee for a while, I took it off and tried the sleeves. I had given them quite a bit of ease, since they looked loose on the manuscript painting, but I didn’t care for how it looked on me when I pinned to test-fit. I took them in a bit and sewed them up. They are still a bit loose, but I like the look better now.
To hem, I used the pin and drop method described here, which worked very well, and then steamed the hell out of the curved edges and used cotton thread to hand-sew the hem.
The neckline is finished with a strip of the same fabric sewn to the edge, folded under and pressed, and hand-stitched down. Sleeves are finished with a double fold and hand-sewn.
All visible seams are hand-sewn. The inside seams are machine-sewn and seams zig-zagged to finish. I decided for a dress not made of 100% period material or color, I wasn’t going to spend forever hand-sewing the entire thing. One day I’ll make a gown that way, but not this one.
(pictures coming soon)
The Challenge: 10: Art
Fabric: Linen/cotton blend, in purpley pink and yellow
Pattern: Draped, no pattern, Gothic Fitted Dress
Notions: cotton embroidery thread, cotton/poly all-purpose thread, wool cord for lacing
How historically accurate is it? B+ probably. It should be wool, stitched in linen or wool, the color is more pink with red undertones than the bluer purples I usually see in 14th century manuscripts (though in some lights it looks pink enough to look like 14th century manuscript pink dresses), and we can’t be 100% sure that this is how dresses were made in the 14th century, but it’s a best attempt for my budget and climate.
Hours to complete: I should have kept better track of this. Not as long as I’d feared, but long. Maybe 18 hours? Machine-sewing the main construction took a lot of time off that.
First worn: Not yet. The event I was finishing it for, we wound up not able to go. Thus, no pictures of me wearing it yet.
Total cost: I’m not even sure. I didn’t have to buy anything new to make it, everything came from my stash. I’d had that linen blend a long time. My best guess would be this probably took $35 worth of material, since I suspect that I paid $5 a yard for that linen.